Simon Ward reviews The Boline Inn at the Hope Theatre For anyone who might be unaware, a boline is a white-handled ritual knife used in Wicca. So, much like The Slaughtered Lamb pub in the 1981 comedy-horror classic movie An American Werewolf In London, the name of the […]
Simon Ward reviews Old Fat F**k Up at the Riverside Studios Olly Hawes has set up camp at the Riverside Studios – as well as this show, in a week or so, he will be alternating performances with his previous play F**king Legend so he must be doing […]
Simon Ward reviews We’ll burn that bridge when we get to it: and I guess that’s now at the Lion and Unicorn Theatre Sometimes playwrights decide to lean into the idea of Fringe and give their work a title such as this one that could never grace a […]
Simon Ward reviews BuzzFest at the Wanstead Curtain Theatre As chestnuts are falling from the trees and an autumnal chill is in the air, writer-director Marissa Landy’s ode to the summer musical festival season lands in a sweetly nostalgic moment. Much like the reluctant revellers at the end […]
Simon Ward reviews Bloody Bloody Kansas at the Hen and Chickens Theatre Conceived, written and directed by Heidi Van, who also plays the roles of Ma Bender and Mary York, this is clearly a work driven by a passionate interest in its subject matter from a Kansas City-based […]
Simon Ward reviews Mrs T Foresees at the Lion & Unicorn Theatre Centred around the life story and formidable presence of Irish clairvoyant Mrs Molly Tolpuddle (compellingly played by Carol Tagg), writer and director Gail Matthews’s play encompasses a variety of topics, from a satirical look at the […]
Simon Ward reviews Mixed Sex at the Lion and Unicorn Theatre Writer Samuel Normington (who also co-directs and stars as Sam) recounts how this, his first full-length play, began in lockdown as he jotted down some anecdotes from his childhood. It then became a monologue before being fleshed […]
Simon Ward reviews Coffee Break at the Hen and Chickens Theatre Running as part of the Camden Fringe, this is an intigruing show on paper. Written, directed and produced by Bruce Kitchener, it seems to be a labour of love. According to the press release, it is inspired […]
Simon Ward reviews Oils at RADA Studios Oils by Jessica Rachid, which ran for two nights at RADA Studios as part of the Bloomsbury Festival, deals with the theme of domestic violence and abuse. Based on her own mother’s experience of horrendous abuse while she was pregnant, it […]
Simon Ward reviews How To Break Out Of A Detention Centre at the Riverside Studios This is the world premiere of a piece whose themes and message arguably transcend the world of theatre and render any review meaningless. Performed in many languages by performers passionately and deeply engaged […]
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