Simon Ward reviews Little Sister at The Glitch Theatre The subterranean performance space at The Glitch, reached by a non-descript door which could lead anywhere, feels like an appropriate setting for Alice Flynn’s unsettling and eerie play. With no set, and actors interspersed among the audience, Mark Fenton’s […]
Simon Ward reviews Mrs. President at the Charing Cross Theatre When Keala Settle makes her entrance as Mary Lincoln in John Ransom Phillips’s play, there is a momentary pause when she poses, framed and majestic, as though waiting for the applause with which a Broadway audience would greet […]
Simon Ward reviews Mother.Dad at the Omnibus Theatre This two-hander comprises the narration of two, apparently unrelated, stories by ‘Him’ (Andy Sellers) and ‘Her’ (Toyin Ayedun-Alase), and is performed with utter conviction. Playwright Doug Deans’ writing manages to convey a panoramic overview of life in Britain today, but, […]
Simon Ward reviews The Boline Inn at the Hope Theatre For anyone who might be unaware, a boline is a white-handled ritual knife used in Wicca. So, much like The Slaughtered Lamb pub in the 1981 comedy-horror classic movie An American Werewolf In London, the name of the […]
Simon Ward reviews Wilder! at the Etcetera Theatre This barely categorisable play written by its leading actors Thomas Billiouw and Dany Van Brabant deserves to be seen by a wider audience than can cram into the tiny Etcetera Theatre. The punning title must surely include an homage to […]
Simon Ward reviews The Christmas Thing at the Seven Dials Playhouse This is an utterly gleeful slice of Christmas slapstick fun, irresistibly written, directed and hosted by double act Tom Clarkson and Owen Visser. Clarkson is the front man, holding the microphone and ringleading the action; Visser is […]
Simon Ward reviews Continuity at The Cockpit Theatre As a technology entrepreneur, we can take it that the insights that David Sear shares in this dystopian satirical black comedy are based on concepts being seriously considered in the world of the tech bros. Set in 2034, the world […]
Simon Ward reviews Kill For The Part at the Canal Cafe Theatre Written and directed by Lucy Blunt, who also plays Olivia/Eleanor Deluse, this is a witty and beguiling romp which interleaves a classic cosy murder mystery with the back-stage shenanigans that arise when the cast believe themselves […]
Simon Ward reviews Old Fat F**k Up at the Riverside Studios Olly Hawes has set up camp at the Riverside Studios – as well as this show, in a week or so, he will be alternating performances with his previous play F**king Legend so he must be doing […]
Simon Ward reviews Gwenda’s Garage:The Musical at the Southwark Playhouse Borough Following a successful run at the Tanya Moiseiwitsch Playhouse in Sheffield, this is the London premiere of a new British musical. Based on the true story of three female mechanics who, frustrated by their inability to find […]
Explore All Our Reviews
THE PEG 