Simon Ward reviews SALT at the Riverside Studios The company Contemporary Ritual Theatre (CRT), who here present Beau Hopkins’s play SALT, are based in Great Yarmouth, but this tale long predates its days as a seaside resort. It is steeped in the ancient lore of the sea, from […]
Simon Ward reviews The Red Prince at the Lion and Unicorn Theatre The term ‘Red Prince’ was first used as a tongue-in-cheek epithet for the sons of Labour grandees who had decided to go into politics and, it was implied, because of their pedigree, got distinctly preferential treatment […]
Simon Ward reviews Werewolf Sighted In Port Talbot at the Old Red Lion Theatre Following a successful run as part of GrimFest in October last year, Andy Sellers’s debut dark comedy returns to the Old Red Lion. The multi-talented Mr Sellers, whose performance I thoroughly enjoyed in last […]
Simon Ward reviews The Sound Of Absence at the Omnibus Theatre The Peg is approached to review many more shows than we can possibly cover, so there has to be a sifting process to choose which ones to write about. I generally try to pick pieces that seem […]
Simon Ward reviews EXPÖSED at The Lion and Unicorn Theatre My heart usually sinks at the prospect of a play written by its cast. It is hard to make a piece work as a coherent whole when everyone is chipping in. But this fear is utterly unfounded with […]
Simon Ward reviews Little Sister at The Glitch Theatre The subterranean performance space at The Glitch, reached by a non-descript door which could lead anywhere, feels like an appropriate setting for Alice Flynn’s unsettling and eerie play. With no set, and actors interspersed among the audience, Mark Fenton’s […]
Simon Ward reviews Mrs. President at the Charing Cross Theatre When Keala Settle makes her entrance as Mary Lincoln in John Ransom Phillips’s play, there is a momentary pause when she poses, framed and majestic, as though waiting for the applause with which a Broadway audience would greet […]
Simon Ward reviews Mother.Dad at the Omnibus Theatre This two-hander comprises the narration of two, apparently unrelated, stories by ‘Him’ (Andy Sellers) and ‘Her’ (Toyin Ayedun-Alase), and is performed with utter conviction. Playwright Doug Deans’ writing manages to convey a panoramic overview of life in Britain today, but, […]
Simon Ward reviews The Boline Inn at the Hope Theatre For anyone who might be unaware, a boline is a white-handled ritual knife used in Wicca. So, much like The Slaughtered Lamb pub in the 1981 comedy-horror classic movie An American Werewolf In London, the name of the […]
Simon Ward reviews Wilder! at the Etcetera Theatre This barely categorisable play written by its leading actors Thomas Billiouw and Dany Van Brabant deserves to be seen by a wider audience than can cram into the tiny Etcetera Theatre. The punning title must surely include an homage to […]
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