Harry Bignell reviews Zoo at Vault Festival 2020. A touching tale of two socially-awkward animal-enthusiasts crossing geographical boundaries and cultural chasms to be socially-awkward and enthusiastic about animals together; Zoo is a delight from bizarre beginning to emotional end. The play opens with Miami based zoo keeper Bonnie, played […]
Anna Hadley reviews Have I Told You I’m Writing a Play About My Vagina? At Edinburgh Fringe. I like to see at least one play which makes box-office attendants at the Fringe blush when they’re retrieving my ticket. Cue: ‘Have I Told You I’m Writing a Play About […]
Anna Hadley reviews Bost-Uni Plues at Edinburgh Fringe. As a recent graduate fumbling towards unemployment, I sought to find shows relative to my current lifestyle of career insecurity and day-time television. I found Bost-Uni Plues. I had done no other research, and I wasn’t quite sure what to […]
Anna Hadley reviews Teach at Edinburgh Fringe. This is my third year at Edinburgh Fringe, reviewing for the Peg. It’s been a wild ride, from drag cabaret to performance art about urinary incontinence, but I have never seen such an energetic performance as Matthew Robert’s one-man show Teach. […]
Harry Bignell reviews Tony’s Last Tape at the Omnibus Theatre, Clapham. As someone with little knowledge of Tony Benn ahead of this performance, walked into the Omnibus Theatre in Clapham unsure what to expect. The following hour was engaging, educating and humbling in fairly equal measure. Mimicking the […]
Harry Bignell reviews Lipstick at Omnibus Theatre in Clapham. This play is a beautiful, sensitive and unsettling performance that explores disparate realities and sexualities in a jarring juxtaposition of time, location and circumstance. The play switches between the three as Orla, played by Siobhan O’Kelly, reflects on her […]
Harry Bignell reviews Staying Faithful at the Drayton Arms Theatre. Imagine a theatrical reimagining of Skins with less trendy (but far enjoyable!) music and you won’t be far off of Staying Faithful. Branded as a coming-of-age story with themes of identity, faith-based struggles and conflicted sexuality, this performance […]
Harry Bignell reviews Smack That at the Ovalhouse Theatre. Taking a harrowing personal experience and turning it into a performance designed to spread a message, offer solidarity and give voice to an often silenced demographic is incredibly admirable; for this I have the utmost respect for the all-female […]
Harry Bignell reviews True West at Vaudeville Theatre. My initial thought upon taking my seat at the Vaudeville Theatre is how the clever use of set wall angles sucks the audience into the pokey front room of the house in Southern Carolina where Sam Shepard’s True West plays […]
Harry Bignell reviews The Cult of Kenzo at Camden People’s Theatre.
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