Harry Bignell reviews Tony’s Last Tape at the Omnibus Theatre, Clapham. As someone with little knowledge of Tony Benn ahead of this performance, walked into the Omnibus Theatre in Clapham unsure what to expect. The following hour was engaging, educating and humbling in fairly equal measure. Mimicking the […]
Harry Bignell reviews Lipstick at Omnibus Theatre in Clapham. This play is a beautiful, sensitive and unsettling performance that explores disparate realities and sexualities in a jarring juxtaposition of time, location and circumstance. The play switches between the three as Orla, played by Siobhan O’Kelly, reflects on her […]
Harry Bignell reviews Staying Faithful at the Drayton Arms Theatre. Imagine a theatrical reimagining of Skins with less trendy (but far enjoyable!) music and you won’t be far off of Staying Faithful. Branded as a coming-of-age story with themes of identity, faith-based struggles and conflicted sexuality, this performance […]
Harry Bignell reviews Smack That at the Ovalhouse Theatre. Taking a harrowing personal experience and turning it into a performance designed to spread a message, offer solidarity and give voice to an often silenced demographic is incredibly admirable; for this I have the utmost respect for the all-female […]
Harry Bignell reviews True West at Vaudeville Theatre. My initial thought upon taking my seat at the Vaudeville Theatre is how the clever use of set wall angles sucks the audience into the pokey front room of the house in Southern Carolina where Sam Shepard’s True West plays […]
Harry Bignell reviews The Cult of Kenzo at Camden People’s Theatre.
Simon Ward reviews The Ruffian On The Stair at The Hope Theatre Joe Orton’s plays call for excellence in production and playing to match the brilliance and heightened language of his writing. Fortunately, everything in this show at the Hope, from the top-notch cast (Lucy Benjamin, Gary Webster […]
Jasper Cunningham-Ward reviews KillyMuck at Edinburgh Fringe Set on a council estate in Northern Ireland, KillyMuck tells the story of a Catholic girl called Niamh. This one-woman show deals with all the heavy issues that are expected from a story focused on growing up in Northern Ireland. Whilst […]
Anna Hadley reviews (sorry) at the Edinburgh Fringe Susie Sillet’s (sorry) navigates the world whilst she balances it upon her shoulders. Performed by Louise Beresford, she apologises until her joints eventually give out. But she shouldn’t be apologising for highlighting our collective anxiety, and our constant need to […]
Jasper Cunningham-Ward reviews Sid Singh: American Bot A room set out for 80 people cannot be filled by 10, but what Sid Singh lacks in audience members he makes up for in personality and charm which is both to his credit and to the audience’s relief. Singh […]
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