Simon Ward reviews English Kings Killing Foreigners at Camden People’s Theatre What is it with theatre makers and audience participation these days? Here it’s of the gentlest, even ironic, kind. I have a vivid memory of the late Anthony Sher bringing the house down as he descended into […]
Simon Ward reviews Mary’s Daughters at The Space Theatre The Space is a theatre and arts venue in the heart of the Isle of Dogs. It is housed in a former Victorian Presbyterian church, which is an intriguing historical artefact in its own right. It was acquired by […]
Simon Ward reviews Cold, Dark Matters at the Hope Theatre Writer-performer Jack Brownridge Kelly’s one man show is endearingly low tech. Aside from an exploded shed (due acknowledgment paid to artist Cornelia Parker on the blackboard outside) and a chair, there is no set. More than once I […]
Simon Ward reviews Just Stop Extinction Rebellion at the White Bear Theatre Theatre-going has changed significantly since I first started attending plays on a regular basis many years ago. One aspect, in particular, is the inexorable rise of the sixty-to-ninety minute play with no interval. They were notably […]
Simon Ward reviews Kim’s Convenience at The Park Theatre This is the UK and European premiere of Kim’s Convenience, Ins Choi’s groundbreaking play first performed in Toronto in 2011, subsequently spawning a hit Netflix series, spanning several seasons. There was a definite sense of excitement at a packed […]
Simon Ward reviews Lessons On Revolution at the Hope Theatre In this thrilling and thought-provoking piece of documentary theatre, writer-performers Samuel Rees (Sam) and Gabriele Uboldi (Gab) skilfully, wittily and movingly weave together a narrative which encompasses, among many other things, Cecil Rhodes and his conquest and exploitation […]
Simon Ward reviews Getaway/Runaway at The Lion & Unicorn Theatre There is always a frisson of excitement when the actors are already on stage as the audience enters the auditorium. Sometimes there is some business going on, perhaps even a bit of audience participation. But, when, as here, […]
Simon Ward reviews Looking for Giants at the Camden People’s Theatre. Onto a stage bare except for a stool and a microphone, Abby McCann enters almost sheepishly from a side door but then launches into a remarkable and intriguing preamble to the action. It is about the people whom […]
Simon Ward reviews The Tragedy of Macbeth at Southwark Playhouse. Flabbergast Theatre have spent years working and re-working this noisy, exuberant, muscular and unnerving version of Shakespeare’s infamous Scottish play. Entering the auditorium is like stumbling onto the enactment of an ancient pagan ritual in a woodland clearing. Characters […]
Simon Ward reviews How To Break Out Of A Detention Centre at the Riverside Studios This is the world premiere of a piece whose themes and message arguably transcend the world of theatre and render any review meaningless. Performed in many languages by performers passionately and deeply engaged […]
Explore All Our Reviews
THE PEG 