Jasper Cunningham reviews Dust at the Underbelly, Edinburgh Dust is a long way from the stand-up comedy the Fringe is known for. It is a harrowing tale told in hindsight by the protagonist, Alice, after her death. It is another example of a one-woman show done right. At […]
Jasper Cunningham reviews Victim at the Pleasance, Edinburgh With a cleverly simplistic style, Victim explores the lives of two characters; a female prison warden and an inmate in the same institution. When a new inmate with a particularly harrowing backstory arrives, the natural order of prison life is […]
Anna Hadley reviews Trashed at the Underbelly, Edinburgh Trashed is a dark, tragic show that haunts the Fringe and stays with its audiences. Written by Sascha Moore and performed by David William Bryan, the play is based on one man’s experience of the loss of a child, the […]
Charlotte Pegram reviews Lands at Summerhall, Edinburgh Lands is sparse, both in terms of language and set. Featuring only a trampoline and a 1000 piece jigsaw puzzle, it tackles issues of dependency and isolation in an absurdist form. You have to get used to the sounds of springs crunching up […]
Abigail Bryant reviews The Nature of Forgetting at the Pleasance, Edinburgh Memory is a delicate yet fundamental aspect of human nature that informs how we link the past with the present, and more importantly how we shape the future. In The Nature of Forgetting, Theatre Re explores the fragility of […]
Charlotte Pegram reviews Replay at the Pleasance, Edinburgh We meet ‘W’ just after she’s been hit with a bad case of food poisoning. She’s a policewoman and the sickness overwhelms her while she’s mid-shift. It’s unfortunate that she’s been struck down with illness just now as she’s about […]
Charlotte Pegram reviews The B*easts at the Underbelly, Edinburgh It’s the sign of an excellent play when it really irks you, and there is something about The B*easts which really riled me. The B*easts is narrated by a psycho-therapist who has been dealing with a mother, Karen, whose […]
Charlotte Pegram reviews Secret Life of Humans at Pleasance, Edinburgh It is sometimes hard to adapt a book for the stage; taking the long descriptions of a character’s interior and presenting that visually is a challenge but it can be done – just think of how Simon Stephens […]
Simon Ward reviews Combustion at the Arcola Theatre If presented with the premise of a four-hander play set in a Bradford garage, one might demur. Adding in an English Defence League thug would scarcely make it seem more palatable. Yet Combustion explodes such expectations. It is a triumph: […]
Abigail Bryant reviews Snapshot at the Hope Theatre Snapshot, written by George Johnston and directed by James McAndrew, is 75 minutes of incredibly immersive and captivating drama, exploring the complex relations between three twenty-somethings living in modern-day London. With non-linear chronology and snappy scene changes, the audience has […]
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