Simon Ward reviews An Inspector Calls at the Playhouse Theatre When Stephen Daldry blasted himself onto the scene with his reimagining of this JB Priestley warhorse in 1992, I was among the small band of naysayers who found his production alienating and unconvincing. Twenty-four years later, I am […]
Abigail Bryant reviews London Stories at Battersea Arts Centre November 9th 2016. While the world tried to comprehend the day’s political events, I was fortunate enough to attend a poignant and powerful celebration of differences at Battersea Arts Centre. Like many, I often enjoy to ‘people watch’ on […]
Amy and Tom Milne review State Fair at Cadogan Hall Rodgers and Hammerstein’s State Fair was a delightful choice for London Musical Theatre Orchestra’s debut concert. To a packed house at the prestigious Cadogan Hall, this candy floss musical was given some serious credentials. An unknown score with […]
Simon Ward reviews Drones, Baby, Drones at the Arcola Theatre This is a polemical piece, and none the worse for that. The title is taken from a speech by a former US Defense Secretary, and if it makes you feel queasy about a certain insouciance around the use of […]
Lynne Hague reviews Where Do Little Birds Go? Camilla Whitehill’s one act play builds a vivid picture of one teenage girl’s experience of life in the mid 60s. In a strong performance by Jessica Butcher we follow the story of 24-year-old Lucy Fuller, who recollects how she left […]
Harriet Bignell reviews The Marked at Oval House In an insightful and conscience pricking performance, Theatre Temoin provide a chilling glimpse into the life of homeless Jack, on the streets of London. In an eerie opening, the characters perform a sequence of movements which move Jack from sinister […]
Charlotte Pegram reviews Skin A Cat at The Bunker A fabulous way to launch the inaugural season at The Bunker, Skin A Cat by Isley Lynn fits the underground space hand in glove. A double bed sits centre stage with very little else to distract from this intimate story […]
Kenny Morgan is based on playwright Terence Rattigan’s real life love affair with the titular actor – a tale of torment that Mike Poulton tells now in imagined fact rather than Rattigan’s fiction, resulting in a script dusted with ironic discussion of the arts and performance. For someone unfamiliar […]
Two Man Show is the newest addition to the Rashdash family and it’s easy to see links to their previous shows (We Want You To Watch, Ugly Sisters) both in terms of its bold form and its rebellious content, but it’s by far their best creation. Using song, […]
Combine a pinch of Grease with your average American chick-flick, mix it together with a big dollop of ladies night sentiment and you have the fun, bubbly and fabulously sound-tracked musical that is Vanities. In its European debut, the musical explores poignant themes of unmet ambitions and expectations […]
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