Sam Shepard’s Fool For Love is the last play to be staged at Found111 Theatre. The space can be found at the top of the soon to be demolished Central Saint Martins art school building on Charing Cross Road. While the play isn’t the best ever staging of […]
The name really is in the title. A series of characters embarking on a host of sexual encounters, all of them looking for something meaningful in their connection with other men. Joe DiPietro’s play about the thrills of quick sex has immediate resonance in the age of Grindr, […]
Lynne Hague reviews Where Do Little Birds Go? Camilla Whitehill’s one act play builds a vivid picture of one teenage girl’s experience of life in the mid 60s. In a strong performance by Jessica Butcher we follow the story of 24-year-old Lucy Fuller, who recollects how she left […]
Maddy Price reviews Flexer & Sandiland’s Disappearing Acts at The Place The winning combination of choreographer Yeal Flexer and digital artist Nic Sandiland succeeds in this inventive and thoughtful new piece at The Place. Disappearing Acts is a blend of contemporary dance, digital installation and spoken word that considers […]
Harriet Bignell reviews Appetite as part of the Tellit Festival. Holli Dillon’s Appetite is a funny and touching piece with a slightly unsettling undertone. My initial impression was, were it not for the program synopsis, I would have had little idea that this is a one women play […]
Harriet Bignell reviews The Marked at Oval House In an insightful and conscience pricking performance, Theatre Temoin provide a chilling glimpse into the life of homeless Jack, on the streets of London. In an eerie opening, the characters perform a sequence of movements which move Jack from sinister […]
Harriet Bignell reviews Code 2021 by Autumn Secret Theatre Project Never before have I exited a theatre uttering the expression, “wow, that was powerfully awful.” However, there seems no more fitting analysis of the 3 hours (yes, 3 hours) I sat through at Secret Studio Lab’s Code 2021. The play […]
Charlotte Pegram reviews Skin A Cat at The Bunker A fabulous way to launch the inaugural season at The Bunker, Skin A Cat by Isley Lynn fits the underground space hand in glove. A double bed sits centre stage with very little else to distract from this intimate story […]
Simon Ward reviews Lunch & The Bow of Ulysses at Trafalgar Studios Two Steven Berkoff plays written 20 years apart telling the story of a couple’s first encounter and then the bitter reminiscences of their subsequent life together – Lunch (1983) and The Bow of Ulysses (2002). Played here […]
If we break a leg, we accept that time and care will work it’s magic. Unlike a lot of physical ailments, Louise Breckon’s underlying larynx condition resulted in a total repositioning of her identity, both professionally and personally. In an (almost) one-woman show portrayed in autobiographical fashion, ‘Can […]
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