Simon Ward reviews Daddy’s First Gay Date at the Seven Dials Playhouse Rather touchingly listed on the venue’s website as ‘Writer, Producer and Ben’ this show is clearly Sam Danson’s baby. Billed as a romantic comedy, much humour is found in the culture clash between the straight world […]
Simon Ward reviews We’ll burn that bridge when we get to it: and I guess that’s now at the Lion and Unicorn Theatre Sometimes playwrights decide to lean into the idea of Fringe and give their work a title such as this one that could never grace a […]
Simon Ward reviews God Don’t Live On A Council Estate at the Hen and Chickens Theatre Dean Stalham’s 2010 play, God Don’t Live On A Council Estate, directed here by Jonathan Linsley, gives us another insight into the world that I was first introduced to in June of […]
Simon Ward reviews Monster at the Seven Dials Playhouse Abigail Hood’s play, Monster, is set over a twenty year period in Glasgow. It centres on the lives of two girls, teenagers when we first meet them, Kayleigh Grey (played by Hood herself) and Zoe Douglas (Lauren Downie). They […]
Simon Ward reviews The Pitch at Theatre503 Philip Catherwood’s new play, directed by Thea Mayeux, is not the first to investigate the thorny issue of land and its use on the island of Ireland, but his approach is refreshingly free of the weight of history which normally surrounds […]
Simon Ward reviews BuzzFest at the Wanstead Curtain Theatre As chestnuts are falling from the trees and an autumnal chill is in the air, writer-director Marissa Landy’s ode to the summer musical festival season lands in a sweetly nostalgic moment. Much like the reluctant revellers at the end […]
Simon Ward reviews A Midsummer Night’s Dream at the Southwark Playhouse Borough Since the turn of the millennium, Southwark Playhouse has been re-imagining the great works of the Shakespearean canon to create versions which can engage younger audiences, with the aim of bewitching them with the power of […]
Simon Ward reviews TWO at the Greenwich Theatre For this revival of Jim Cartwright’s 1989 play, the Greenwich Theatre has been transformed into a pub of that era, The Clock and Compass, with nostalgic soundtrack to match. This doubles as the theatre’s own bar before the show and […]
Simon Ward reviews Fickle Eulogy at the Hope Theatre, 207 Upper Street, London N1 1RL Debuting at the Edinburgh Fringe last year, Nikol Kollars’s devastating solo show, directed by Javier Galitó-Cava, is now running at The Hope under the aegis of the Camden Fringe. It is clearly a […]
Simon Ward reviews Coming Home at The Hope Theatre As we enter the soundtrack swells with the now-familiar England football anthems – Three Lions, of course, along with Vindaloo and Sweet Caroline – all bound to get the heart pumping and the crowd singing along. There is nervous […]
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