Abigail Bryant reviews Odd Man Out at The Hope Theatre Odd Man Out comprises of two stories, each performed individually, and each exploring one man’s venture into a society which doesn’t deem him in line with what is culturally normal. Although the two tales hold no relation to […]
Abigail Bryant reviews AI Love You at Theatre N16 In Theatre N16, above the balmy jostle of The Bedford, profound decisions are being made. Adam and April introduce themselves, a young couple living in Putney, regular jobs, regular interests, and an endearing coyness when faced with the gazing […]
Abigail Bryant reviews Snapshot at the Hope Theatre Snapshot, written by George Johnston and directed by James McAndrew, is 75 minutes of incredibly immersive and captivating drama, exploring the complex relations between three twenty-somethings living in modern-day London. With non-linear chronology and snappy scene changes, the audience has […]
Abigail Bryant interviews director James McAndrew Firstly, congratulations on directing your first, full-length new play. Are you excited for its showcase at the Hope Theatre? Incredibly excited. I’m very lucky to have such a challenging play to work on, and to have such an amazing team of cast […]
Abigail Bryant reviews This Is Not Culturally Significant at The Bunker The enormous challenge of verbally explaining This Is Not Culturally Significant is verification of its distinctive brilliance. After being awarded ‘Show of the Week’ at VAULT Festival, Out of Spite Theatre’s production now transfers to The Bunker, […]
Charlotte Pegram reviews Blush at Soho Theatre Revenge can be sweet, but it can also be rash. Revenge porn is perhaps one of the easiest and most ill-judged ways of getting one over your ex, and Snuff Box Theatre examine the speed and ease with which people can […]
Charlotte Pegram reviews Bridle at Camden People’s Theatre Three women roam the stage wearing large silicone horse heads. You might be forgiven for thinking you’ve walked into an art installation but this is a distinctly straight-talking play. And, when the horse heads come off, Bridle becomes an explosive […]
Amy and Tom Milne review Heads-Up at Battersea Arts Centre From Kieran Hurley’s first words, you can see why ‘Heads Up’ was 2016 Fringe First Award Winner with a sell-out run at the Edinburgh Festival Fringe. His natural talent for storytelling, impressive pace and seemingly-effortless range means that, […]
Mark Hil reviews Boys at The Lost Theatre Boys tells the story of a group of millennials struggling to come to terms with their place in the world; complex relationships, uncertain futures (or lack thereof) and ultimately the suicide of a friend. The play revolves around main character, […]
Paul Caira reviews Dracula at The King’s Head Theatre This is a cheerful and well-executed parody of Dracula – not a satire as the publicity suggests – which lifts its version of the story almost directly from the 1992 Francis Ford Coppola film, complete with the tacked-on romantic […]
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