Simon Ward reviews Port City Signature at the Hope Theatre Written and co-directed (with Phoebe Rowell John) by Nathaniel Brimmer-Beller, this is a modern riff on a film noir setup – a passing stranger gets embroiled in local skullduggery with tragic consequences. The set (designed by Hannah Williams […]
Simon Ward reviews My English Persian Kitchen at the Soho Theatre Upstairs Based on a story by Iranian food-writer Atoosa Sepehr, and adapted as a play by Hannah Khalil, this extraordinary show manages to be at once a feast for all the senses, a nail-biting thriller, a heartbreaking […]
Simon Ward reviews Bangers at the Arcola Theatre Written by Danusia Samal, who also co-stars, this is a mash-up of a club night where composer and sound designer Duramaney Kamara’s tunes mixed with some classics keep the dancefloor humming and a touching exploration of two young people – […]
Simon Ward reviews Dorian :The Musical at the Southwark Playhouse Borough With book by Linnie Reedman and music and lyrics by Joe Evans, this loose adaptation of Oscar Wilde’s 1890s novel A Portrait of Dorian Gray feels like an attempt to re-imagine the story as Wilde might have […]
Simon Ward reviews My Name Is Rachel Corrie at the Old Red Lion Theatre This is a verbatim play created by Katherine Viner and Alan Rickman, based on the emails and diary entries of Rachel Corrie. The facts of Rachel’s life and death are stark. She was born […]
Simon Ward reviews So Help Me Dog at the Hen and Chickens Theatre It can be excruciating being in the audience at a fringe theatre show, typically in a small room above a pub. If a show is not going well, or simply needs a bigger audience to […]
Simon Ward reviews Sunday On The Rocks at The Bread and Roses Theatre Originally emerging in the mid-nineties, Theresa Rebeck’s witty and insightful play is as resonant today as it ever was. Elly (Candace Leung) is pregnant and not happy about it. Boston housemates Gayle (Rachael Bellis, who […]
Simon Ward reviews The W.I.G Of Life: A Conference at Camden People’s Theatre Be warned: this is an interactive show, in which the audience is more or less required to partcipate. However, the particpation is at one remove, in that it is mainly confined to choosing avatars and […]
Simon Ward reviews BLUE at the Seven Dials Playhouse This is the London premiere of June Carryl’s important, powerful and devastating play, BLUE. It is set in an interrogation room familiar from a thousand police procedurals with its dirty grey walls, two-way mirrors and an ancient cassette recorder […]
Simon Ward reviews Just Stop Extinction Rebellion at the White Bear Theatre Theatre-going has changed significantly since I first started attending plays on a regular basis many years ago. One aspect, in particular, is the inexorable rise of the sixty-to-ninety minute play with no interval. They were notably […]
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