Tag: theatre review

In blue light, four surgeons in white hazmat suits and with head torchs shining surround a suspended surgery bed. A projection of blue dividing cells hangs above the bed.

★★★Who Wants To Live Forever?

Simon Ward reviews Continuity at The Cockpit Theatre As a technology entrepreneur, we can take it that the insights that David Sear shares in this dystopian satirical black comedy are based on concepts being seriously considered in the world of the tech bros. Set in 2034, the world […]

★★Ye Gods

Simon Ward reviews We’ll burn that bridge when we get to it: and I guess that’s now at the Lion and Unicorn Theatre Sometimes playwrights decide to lean into the idea of Fringe and give their work a title such as this one that could never grace a […]

★★★Blue Sunday

Simon Ward reviews Dagmarr’s Dimanche at the Crazy Coqs The louche 1930s glamour of the Crazy Coqs in the Brasserie Zédel is arguably the best place in London to experience a real cabaret experience. A smallish room dotted with tables, champagne and cocktails readily available throughout from the […]

Simon Parkes (played by Max Runham) arms spread, wearing a bomber jacket, T-shirt and jeans, looking defiantly towards the viewer.

★★★★Call of the Wild

Simon Ward reviews Brixton Calling at the Southwark Playhouse Borough Just over ten years ago, Simon Parkes wrote his memoir Live At The Brixton Academy describing the incredible true story of how he acquired the lease on the building that would become the Brixton Academy for £1, before […]

Left hand side, seated - Calvin Dean as Sam's Friend, Ricky; right hand side, seated - Lanre Damola as Sam's Friend Archie; centre, standing, Samuel Normington as Sam.

★★Care Bear Blues

Simon Ward reviews Mixed Sex at the Lion and Unicorn Theatre Writer Samuel Normington (who also co-directs and stars as Sam) recounts how this, his first full-length play, began in lockdown as he jotted down some anecdotes from his childhood. It then became a monologue before being fleshed […]

Daniel Morris (the Peasant) roughly grabbing Hannah Omisore (the Princess) and thrusting a knife towards the viewer

★★★★Fable And Fury

Simon Ward reviews Put Out His Eyes at the Lion and Unicorn Theatre Writer Michael Hajiantonis’s Put Out His Eyes is a fairytale set in a distant past with an undercurrent of pent-up rage and resentment which feels apposite for our modern world in which none of the […]

A man with outstretched arm, offering a red rose

★★★★Don’t Look Away

Simon Ward reviews Cutting The Tightrope: The Divorce of Politics From Art at the Arcola Theatre The staging of this collection of short works is an explicitly political act, which aims to galvanise audiences into further political action. Under those circumstances, therefore, it seems crass and irrelevant to […]

★★★★Parts Become A Whole

Simon Ward reviews Fragments at the Etcetera Theatre In this astonishing piece Nigerian writer and performer Pearl Ada pulls no punches as she tackles the intersecting issues of colonialism and its legacy, racism, and patriarchy. Put like that, it sounds like a grim hour, whereas it is anything […]

★★★★Food, Glorious Food

Simon Ward reviews My English Persian Kitchen at the Soho Theatre Upstairs Based on a story by Iranian food-writer Atoosa Sepehr, and adapted as a play by Hannah Khalil, this extraordinary show manages to be at once a feast for all the senses, a nail-biting thriller, a heartbreaking […]