Simon Ward reviews Sunday On The Rocks at The Bread and Roses Theatre Originally emerging in the mid-nineties, Theresa Rebeck’s witty and insightful play is as resonant today as it ever was. Elly (Candace Leung) is pregnant and not happy about it. Boston housemates Gayle (Rachael Bellis, who […]
Simon Ward reviews 1884 at Shoreditch Town Hall Set in the imposing surroundings of the Shoreditch Town Hall council chamber, this is no ordinary evening in the theatre. It is immersive and game-based. Unlike many other immersive theatre shows, however, the play does not take place around the […]
Simon Ward reviews Corona Daze at The Hen and Chickens Theatre I was working for a London hospital when news started to filter through about a new, potentially deadly, virus which was spreading across the globe. It seemed surreal to be sitting in a bland meeting room discussing […]
Simon Ward reviews A Midsummer Night’s Dream at Wilton’s Music Hall If you are not familiar with it, and, in fact, even if you are, you should arrive early to enjoy the splendour that is Wilton’s Music Hall. Updated just enough to meet modern health and safety requirements, […]
Simon Ward reviews The W.I.G Of Life: A Conference at Camden People’s Theatre Be warned: this is an interactive show, in which the audience is more or less required to partcipate. However, the particpation is at one remove, in that it is mainly confined to choosing avatars and […]
Simon Ward reviews Cold, Dark Matters at the Hope Theatre Writer-performer Jack Brownridge Kelly’s one man show is endearingly low tech. Aside from an exploded shed (due acknowledgment paid to artist Cornelia Parker on the blackboard outside) and a chair, there is no set. More than once I […]
Simon Ward reviews BLUE at the Seven Dials Playhouse This is the London premiere of June Carryl’s important, powerful and devastating play, BLUE. It is set in an interrogation room familiar from a thousand police procedurals with its dirty grey walls, two-way mirrors and an ancient cassette recorder […]
Simon Ward reviews Just Stop Extinction Rebellion at the White Bear Theatre Theatre-going has changed significantly since I first started attending plays on a regular basis many years ago. One aspect, in particular, is the inexorable rise of the sixty-to-ninety minute play with no interval. They were notably […]
Harry Bignell reviews Staying Faithful at the Drayton Arms Theatre. Imagine a theatrical reimagining of Skins with less trendy (but far enjoyable!) music and you won’t be far off of Staying Faithful. Branded as a coming-of-age story with themes of identity, faith-based struggles and conflicted sexuality, this performance […]
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