★★★★ The Cult of Kenzo – a one woman show with the energy of an entire cast
Harry Bignell reviews The Cult of Kenzo at Camden People’s Theatre.
★★★★ Ruffian Diamonds
Simon Ward reviews The Ruffian On The Stair at The Hope Theatre Joe Orton’s plays call for excellence in production and playing to match the brilliance and heightened language of his writing. Fortunately, everything in this show at the Hope, from the top-notch cast (Lucy Benjamin, Gary Webster […]
★★★ Class Struggle in Northern Ireland
Jasper Cunningham-Ward reviews KillyMuck at Edinburgh Fringe Set on a council estate in Northern Ireland, KillyMuck tells the story of a Catholic girl called Niamh. This one-woman show deals with all the heavy issues that are expected from a story focused on growing up in Northern Ireland. Whilst […]
★★★★ Millennial Nihilism at its Best
Anna Hadley reviews (sorry) at the Edinburgh Fringe Susie Sillet’s (sorry) navigates the world whilst she balances it upon her shoulders. Performed by Louise Beresford, she apologises until her joints eventually give out. But she shouldn’t be apologising for highlighting our collective anxiety, and our constant need to […]
★★★ Under the Covers – But Not Everybody’s Invited
Anna Hadley reviews Courtney Act – Under the Covers at Edinburgh Fringe. Courtney Act’s ‘Under the Covers’ invites the audience to get intimate with Courtney (drag alter-ego of Shane Jenek). Most scramble under this duvet willingly. However, if you’re not a Courtney super-fan, this show may leave you […]
★★★★★ Spoken Word About Speaking Words
Emily Pritchard reviews Rob Auton’s The Talk Show at the Edinburgh Fringe Rob Auton is a pleasure to watch and listen to, though his show can prove hard to summarise. It feels like a new kind of poetry, making you rethink any ideas about what poetry can be: […]
★★★★ Powerful Young Feminist Production
Jasper Cunningham-Ward reviews What Makes You a Woman at Edinburgh Fringe. “What makes you a woman?” the performers ask. Luckily, as I am in fact male, they gave their own answers. This production gives a whirlwind tour of the position of women in society, starting with the suffragettes […]
★★★★ Tense and Layered – The Post-Truth Era Clashes with Ordinary Lives
Abigail Bryant reviews Adam & Eve at The Hope Theatre, Islington In today’s political and media climate, the very definition of ‘truth’ is as ambiguous as it is dangerous. Taking a step back from Trump and Hollywood, Adam & Eve confronts a post-truth era against the landscape of […]
Chronic Illness and Sisterly Love: Laura McGrady discusses her new play, Babybox
Abigail Bryant interviews writer Laura McGrady Firstly, congratulations on the world premiere of Baby Box, running as part of King’s Head Theatre’s ‘Who Runs The World?’ feminist season this May. How are you feeling about its showcase? Thank you! I can’t wait to finally share this story with […]
★★★★ An Important Lens on Toxic Youth Culture
Abigail Bryant reviews Shanter at Old Red Lion Theatre The transition from teenager to adult is a notoriously colourful and precarious time, and the age of social media brings with it a new layer of complexity and identity politics. Shanter explores ‘lad culture’ against the backdrop of a […]
Explore All Our Reviews
THE PEG 