Category: 3 Stars

On the left, in open-necked check shirt Gary (played by Charlie Jennings), on the right, looking at sceptically, dressed in red crocheted top and blue dungarees, Sam (played by Gaby Coleman).

★★★Dystopia Revisited

Simon Ward reviews Two Strangers and a Clipboard at the Etcetera Theatre Written and directed by Maria Speight, this is a piece presented as workshop preview prior to a planned summer festival run. Set in a universe that has some overlaps with ours – Celine Dion, cassette tapes, […]

Muted brown colourscape, on the left Widow Pruttock (played by Emily Outred) holding a small knife towards Sheldis (played by Bess Roche) who is lunging towards her with tongue sticking out.

★★★Grim Tale Of The Sea

Simon Ward reviews SALT at the Riverside Studios The company Contemporary Ritual Theatre (CRT), who here present Beau Hopkins’s play SALT, are based in Great Yarmouth, but this tale long predates its days as a seaside resort. It is steeped in the ancient lore of the sea, from […]

Craig Kitman (played by Benjamin May) seated at a messy desk in grey jacket, white shirt and loosened red tie, holding a fountain pen and looking messianic.

★★★Loveless Landslide

Simon Ward reviews The Red Prince at the Lion and Unicorn Theatre The term ‘Red Prince’ was first used as a tongue-in-cheek epithet for the sons of Labour grandees who had decided to go into politics and, it was implied, because of their pedigree, got distinctly preferential treatment […]

Matthew Brady (Hal Fowler) arms spread wide behind Mary Lincoln (Keala Settle) standing bathed in light in an elaborate pink Victorian dress.

★★★Keeping Up Appearances

Simon Ward reviews Mrs. President at the Charing Cross Theatre When Keala Settle makes her entrance as Mary Lincoln in John Ransom Phillips’s play, there is a momentary pause when she poses, framed and majestic, as though waiting for the applause with which a Broadway audience would greet […]

In blue light, four surgeons in white hazmat suits and with head torchs shining surround a suspended surgery bed. A projection of blue dividing cells hangs above the bed.

★★★Who Wants To Live Forever?

Simon Ward reviews Continuity at The Cockpit Theatre As a technology entrepreneur, we can take it that the insights that David Sear shares in this dystopian satirical black comedy are based on concepts being seriously considered in the world of the tech bros. Set in 2034, the world […]

Two men seated at a restaurant table. On the left, Ben, played by Sam Danson, in a dark shirt and beige cords; on the right Tim, played by Dior Clarke, in a midriff-revealing turquoise T-shirt and cargo pants. They are toasting each other with wine glasses.

★★★Grindr’s Not A Dating App

Simon Ward reviews Daddy’s First Gay Date at the Seven Dials Playhouse Rather touchingly listed on the venue’s website as ‘Writer, Producer and Ben’ this show is clearly Sam Danson’s baby. Billed as a romantic comedy, much humour is found in the culture clash between the straight world […]

★★★Blue Sunday

Simon Ward reviews Dagmarr’s Dimanche at the Crazy Coqs The louche 1930s glamour of the Crazy Coqs in the Brasserie Zédel is arguably the best place in London to experience a real cabaret experience. A smallish room dotted with tables, champagne and cocktails readily available throughout from the […]

★★★Star-Crossed Comic Caper

Simon Ward reviews Romeo and Juliet – The Hate Story at the Hen and Chickens Theatre Directed by Annie Araba, this is the debut play of Brazilian writer-performer-producer Lucas Luan Lima. He and co-star George Bird play Romeo and Juliet, plus a number of the other characters familiar […]

Bathed in a blue light, on the left Gavin (played by Sam Plumbe), in the centre Clint (played by Ewan Bruce) and on the right Brian (played by Henry Calcutt). They are all wearing corporate uniforms and gazing nervously towards an unseen screen.

★★★Return To Sender

Simon Ward reviews Don’t Shoot The Messenger at the Lion and Unicorn Theatre Co-writers Daniel Camou and Sam Plumbe have billed their new Camden Fringe show as ‘an office comedy of Shakespearean proportions’. For me, this works as the former, but the Shakespeare factor is rather limited. As […]