Harry Anderson reviews Worlds at Vaults Festival A hotel at the end of the world, The World’s End Inn, or ‘Worlds‘ for short. However it’s said, it’s remote, and the guests who choose to stay here have their own particular reasons for searching out such an isolated spot […]
Charlotte Pegram reviews A Year From Now at Vaults Festival 2016 wasn’t a particularly great year for most of us, so Red Belly Black Theatre Company have interviewed a host of participants to find out where they see themselves in a year from now, with the intention of […]
Paul Caira reviews Death Takes a Holiday at Charing Cross Theatre There is no reason not to like this show. It is a well-written, well-staged, expertly-performed adaptation of an Italian play by Alberto Casella, turned, with characteristic aplomb, into a musical by Thomas Meehan, who seems to have […]
Sam Lewes reviews Promises Promises at Southwark Playhouse Despite an occasional lack of polish, this adaptation of Billy Wilder’s 1960 film ‘The Apartment’ hits most of the right notes. Gabriel Vick stars as Chuck Baxter, a self proclaimed ambitious and resourceful employee at the bottom of the corporate […]
Charlotte Pegram reviews The Kite Runner at Wyndham’s Theatre A heartrending story of a childhood friendship and a lifetime of trying to make amends. Khalid Hosseini’s best selling novel is adapted for the stage by Matthew Spangler, and the script remains loyal to the original narrative, producing a faithful […]
Charlotte Pegram reviews The Trackers of Oxyrhynchus at Finborough Theatre The Trackers of Oxyrhynchus hasn’t been seen on a UK stage for nearly 30 years, which is both sad and ironic. Written by Tony Harrison as a way of reinstating the satyr play (the comedy which is meant […]
Charlotte Pegram reviews Luv at Park Theatre The push and pull of love. You give, you take, and, for the cast of Buckland Theatre Company’s production, you’re never quite sure whether you’re in love at all. A three-strong cast blast their way through this light-hearted comedy. Set in […]
Sam Shepard’s Fool For Love is the last play to be staged at Found111 Theatre. The space can be found at the top of the soon to be demolished Central Saint Martins art school building on Charing Cross Road. While the play isn’t the best ever staging of […]
Maddy Price reviews Flexer & Sandiland’s Disappearing Acts at The Place The winning combination of choreographer Yeal Flexer and digital artist Nic Sandiland succeeds in this inventive and thoughtful new piece at The Place. Disappearing Acts is a blend of contemporary dance, digital installation and spoken word that considers […]
Harriet Bignell reviews Appetite as part of the Tellit Festival. Holli Dillon’s Appetite is a funny and touching piece with a slightly unsettling undertone. My initial impression was, were it not for the program synopsis, I would have had little idea that this is a one women play […]
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