Harry Bignell reviews Beats on Pointe at the Peacock Theatre. Following a clunky introduction where the audience had to shout, “Your mic’s not working!” for the compare to realise we could not hear a word he was saying, Beats on Pointe explode onto the shabby chic stage of […]
Harry Bignell reviews Tony’s Last Tape at the Omnibus Theatre, Clapham. As someone with little knowledge of Tony Benn ahead of this performance, walked into the Omnibus Theatre in Clapham unsure what to expect. The following hour was engaging, educating and humbling in fairly equal measure. Mimicking the […]
Harry Bignell reviews Staying Faithful at the Drayton Arms Theatre. Imagine a theatrical reimagining of Skins with less trendy (but far enjoyable!) music and you won’t be far off of Staying Faithful. Branded as a coming-of-age story with themes of identity, faith-based struggles and conflicted sexuality, this performance […]
Harry Bignell reviews True West at Vaudeville Theatre. My initial thought upon taking my seat at the Vaudeville Theatre is how the clever use of set wall angles sucks the audience into the pokey front room of the house in Southern Carolina where Sam Shepard’s True West plays […]
Jasper Cunningham-Ward reviews KillyMuck at Edinburgh Fringe Set on a council estate in Northern Ireland, KillyMuck tells the story of a Catholic girl called Niamh. This one-woman show deals with all the heavy issues that are expected from a story focused on growing up in Northern Ireland. Whilst […]
Emily Pritchard reviews Harry and Chris Save the World at the Edinburgh Fringe Harry and Chris have definitely perfected a formula that works for them and their audience. Harry has a speedy mouth and an even speedier mind: he excels at saying words very fast, and his improvised […]
Anna Hadley reviews Nine Foot Nine at the Edinburgh Fringe Sleepless Theatre Company’s Nine Foot Nine is a brave new concept where all the women on earth suddenly grow nine foot tall. Yet, ultimately this topic isn’t too far from our current reality. This is definitely a sci-fi […]
Jasper Cunningham-Ward reviews Sid Singh: American Bot A room set out for 80 people cannot be filled by 10, but what Sid Singh lacks in audience members he makes up for in personality and charm which is both to his credit and to the audience’s relief. Singh […]
Anna Hadley reviews Courtney Act – Under the Covers at Edinburgh Fringe. Courtney Act’s ‘Under the Covers’ invites the audience to get intimate with Courtney (drag alter-ego of Shane Jenek). Most scramble under this duvet willingly. However, if you’re not a Courtney super-fan, this show may leave you […]
Abigail Bryant reviews The Sea at Camden People’s Theatre It’s not difficult to feel alone in a room full of people, and Tom Froy’s The Sea explores isolation against the saturation of physical company in a city like London. With creative use of film, photography, music and props, […]
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