Simon Ward reviews Derry Boys at Theatre503 This piece comes closest to my own personal experience of anything I have reviewed in all my years writing for The Peg. Though I wasn’t born there, I was raised in Derry, so I would almost certainly qualify for entry to […]
Simon Ward reviews The Sociable Plover at the Old Red Lion Theatre The first thing to strike you is the set (designed by Jack Valentine) . The entire room has been transformed into a bird watchers’ hide, with camouflage netting on the walls and a wooden ledge thrust […]
Simon Ward reviews Pavement Sharks at the Canal Cafe Theatre For anyone unfamiliar with the venue, it nestles above a rather good pub called the Bridge House in Little Venice, a very pleasant stroll along the canal from what I still think of as the newly refurbished Paddington […]
Simon Ward reviews Overshare at the Greenwich Theatre At one point during this hectic cavalcade of a show, creator-writer-performer-producer Eleanor Hill pauses for a beat to wonder whether her last remark was a bit of an overshare. The joke is, of course, that the whole thing is one […]
Simon Ward reviews Bubble Schmeisis at the Soho Theatre Nick Cassenbaum describes his work as ‘simultaneously unforgivingly Jewish and undeniably British’. As if to underline the point, the programme for this show includes a glossary of both Yiddish and East London slang. Admittedly the Yiddish list is significantly […]
Simon Ward reviews Dead Mom Play at the Union Theatre I have yet to decide how I feel about on the use of trigger warnings. There are the well-worn arguments about the lengthy list pretty much any Shakespeare would require. Furthermore, in my experience, the warnings tend to […]
Simon Ward reviews Summoning Sondheim at The Glitch Theatre This is a new venue for me. It is a tiny cafe-bar and I am sure that we were not the only patrons to have to ask the friendly staff whether this was the right place. The performance space […]
Simon Ward reviews Moderation at the Hope Theatre Making its UK premiere at the Hope, Kevin Kautzman’s searingly topical new play, Moderation is the darkest of dark comedies. It is unmistakably an American work, but its themes resonate across the world, just as the actions of the techbro […]
Simon Ward reviews Heaven at the Southwark Playhouse Borough Following successful runs in Dublin, Edinburgh and New York, this is the London premiere of Eugene O’Brien’s 2022 play. Presented as a series of interlocking and overlapping monologues – tellingly the couple at the heart of the piece never […]
Simon Ward reviews Rosie’s Brain at the Hope Theatre Evelyn Rose, writer, producer and performer of this one-woman tour de force is a whirlwind of energy. From Rosie’s over-enthusiastic entrance as she arrives at college to her inhabiting of all the other characters in the story, there is […]
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