Anna Hadley reviews (sorry) at the Edinburgh Fringe Susie Sillet’s (sorry) navigates the world whilst she balances it upon her shoulders. Performed by Louise Beresford, she apologises until her joints eventually give out. But she shouldn’t be apologising for highlighting our collective anxiety, and our constant need to […]
Emily Pritchard reviews Tamar Broadbent’s Best Life at the Edinburgh Fringe Tamar Broadbent’s show feels incredibly personal and intimate, like a conversation with a friend. A conversation, that is, which includes a song about sending a cat meme to your crush, and another listing the differences between […]
Jasper Cunningham-Ward reviews What Makes You a Woman at Edinburgh Fringe. “What makes you a woman?” the performers ask. Luckily, as I am in fact male, they gave their own answers. This production gives a whirlwind tour of the position of women in society, starting with the suffragettes […]
Simon Ward reviews Fat Jewels at The Hope Theatre Sometimes life and art can get altogether too close for comfort. A play set in a stiflingly hot and claustrophobic room was played in stiflingly hot and claustrophobic room. If the weather forecast is to be believed, this will […]
Abigail Bryant reviews Adam & Eve at The Hope Theatre, Islington In today’s political and media climate, the very definition of ‘truth’ is as ambiguous as it is dangerous. Taking a step back from Trump and Hollywood, Adam & Eve confronts a post-truth era against the landscape of […]
Simon Ward reviews The Elixir of Love at The King’s Head Theatre Just as the weather is turning autumnal and the nights are drawing in, ‘The Elixir of Love’ arrives to provide a blast of much-needed Barry Island sunshine and joie de vivre. Gaetano Donizetti’s classic comic opera has […]
Abigail Bryant reviews Shanter at Old Red Lion Theatre The transition from teenager to adult is a notoriously colourful and precarious time, and the age of social media brings with it a new layer of complexity and identity politics. Shanter explores ‘lad culture’ against the backdrop of a […]
Abigail Bryant reviews The Audit (Or Iceland, A Modern Myth) at artsdepot The Audit is Proto-type Theatre’s second theatrical work examining contemporary politics, and this time they focus on how the nation of Iceland raised it’s voice in opposition to the human cost of greed. With passion and vigour, Rachel Baynton and Gillian […]
Charlotte Pegram reviews Ok Bye at Vaults Festival Saying goodbye can be as simple as a ‘see you later’ or as emotional as making peace with someone who will no longer be on this earth. We can say goodbye to houses and hobbies, to habits and health fads, […]
Abigail Bryant reviews Girls & Boys at the Royal Court Theatre It’s not often that something leaves you speechless, but Dennis Kelly’s Girls & Boys delivers such a powerful and visceral impact that language just doesn’t suffice for effectively conveying the experience housed within the renowned walls of […]
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