Category: 4/5 Stars

A man with outstretched arm, offering a red rose

★★★★Don’t Look Away

Simon Ward reviews Cutting The Tightrope: The Divorce of Politics From Art at the Arcola Theatre The staging of this collection of short works is an explicitly political act, which aims to galvanise audiences into further political action. Under those circumstances, therefore, it seems crass and irrelevant to […]

★★★★Parts Become A Whole

Simon Ward reviews Fragments at the Etcetera Theatre In this astonishing piece Nigerian writer and performer Pearl Ada pulls no punches as she tackles the intersecting issues of colonialism and its legacy, racism, and patriarchy. Put like that, it sounds like a grim hour, whereas it is anything […]

★★★★Who Wants To Live Forever?

Simon Ward reviews Foreverland at the Southwark Playhouse Emma Hemingford’s stunning new play, Foreverland, is a fascinating deep dive into the possibilities that may open up in the near future as biotechnology evolves and genetic re-engineering offers the chance for some people to ‘live forever’. We follow the […]

★★★★Food, Glorious Food

Simon Ward reviews My English Persian Kitchen at the Soho Theatre Upstairs Based on a story by Iranian food-writer Atoosa Sepehr, and adapted as a play by Hannah Khalil, this extraordinary show manages to be at once a feast for all the senses, a nail-biting thriller, a heartbreaking […]

★★★★★A Fine Romance

Simon Ward reviews Shifters at the Duke of York’s Theatre After a sellout run at the Bush Theatre earlier this year, Congolese-British playwright Benedict Lombe’s second play, Shifters has triumphantly transferred to the West End. As regular readers will know, the Peg seldom finds itself in the rarefied […]

★★★★Maybot Reboot

Simon Ward reviews Prototype at the Old Red Lion Theatre Directed by Olivia Gibbs-Fairley, written and performed by Steph Darcey, and presented as part of the Camden Fringe, Prototype is a show that deserves a wide audience. It is a savage satire – it is packed full of […]

★★★★Hooray for Bollywood

Simon Ward reviews Frankie Goes To Bollywood at the Queen Elizabeth Hall My first exposure to Bollywood was in the late 1980s as I tried to block out the garish colours and blaring noise from the TV sets supposedly designed to while away the boredom of a long […]