Charlotte Pegram reviews The B*easts at the Underbelly, Edinburgh It’s the sign of an excellent play when it really irks you, and there is something about The B*easts which really riled me. The B*easts is narrated by a psycho-therapist who has been dealing with a mother, Karen, whose […]
Charlotte Pegram reviews Secret Life of Humans at Pleasance, Edinburgh It is sometimes hard to adapt a book for the stage; taking the long descriptions of a character’s interior and presenting that visually is a challenge but it can be done – just think of how Simon Stephens […]
Simon Ward reviews Combustion at the Arcola Theatre If presented with the premise of a four-hander play set in a Bradford garage, one might demur. Adding in an English Defence League thug would scarcely make it seem more palatable. Yet Combustion explodes such expectations. It is a triumph: […]
Abigail Bryant reviews Snapshot at the Hope Theatre Snapshot, written by George Johnston and directed by James McAndrew, is 75 minutes of incredibly immersive and captivating drama, exploring the complex relations between three twenty-somethings living in modern-day London. With non-linear chronology and snappy scene changes, the audience has […]
Charlotte Pegram reviews Blush at Soho Theatre Revenge can be sweet, but it can also be rash. Revenge porn is perhaps one of the easiest and most ill-judged ways of getting one over your ex, and Snuff Box Theatre examine the speed and ease with which people can […]
Toby Moran Mylett reviews ‘Not Our Turn’ at XCentre, Exeter I remember 2016. On the whole, there are many parts of it I’d rather forget, but I remember it nonetheless. For many people, 2016 has harnessed itself the undesirable reputation for being one of the worst years, ever. […]
Abigail Bryant reviews The Lounge at Soho Theatre Over the next 35 years, the proportion of the world’s population over 60 years old is set to nearly double from 12% to 22%. By 2020, the number of people over 60 will outnumber children younger than 5. Inspector Sands’ […]
Simon Ward reviews The Plague at The Arcola Theatre Albert Camus’s 1947 novel ‘La Peste’ uses the symbol of the plague to discuss France’s wartime occupation and her colonial relationships in Algeria and elsewhere. A nation may be infected for a time, then recover; but, as we learn, the […]
Paul Caira reviews Expensive Shit at Soho Theatre This is an inventive piece of theatre whose boundaries are indistinct, unlike those of the cell-like cube in which the action takes place. The steel verticals which frame the imaginary mirrors on the walls of the toilets in which the […]
Charlotte Pegram reviews The Eisteddfod at The Etcetera Theatre, Camden This play by Australian playwright, Lally Katz, is part of a double bill of plays directed by Liz Arday. The other play, Dario Fo’s A Woman Alone, complements the first and offers the viewer an evening of absurdism and surrealism. […]
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