Simon Ward reviews Continuity at The Cockpit Theatre As a technology entrepreneur, we can take it that the insights that David Sear shares in this dystopian satirical black comedy are based on concepts being seriously considered in the world of the tech bros. Set in 2034, the world […]
Simon Ward reviews Kill For The Part at the Canal Cafe Theatre Written and directed by Lucy Blunt, who also plays Olivia/Eleanor Deluse, this is a witty and beguiling romp which interleaves a classic cosy murder mystery with the back-stage shenanigans that arise when the cast believe themselves […]
Simon Ward reviews Old Fat F**k Up at the Riverside Studios Olly Hawes has set up camp at the Riverside Studios – as well as this show, in a week or so, he will be alternating performances with his previous play F**king Legend so he must be doing […]
Simon Ward reviews God Don’t Live On A Council Estate at the Hen and Chickens Theatre Dean Stalham’s 2010 play, God Don’t Live On A Council Estate, directed here by Jonathan Linsley, gives us another insight into the world that I was first introduced to in June of […]
Simon Ward reviews Lorna Rose Treen: 24 Hour Diner People at the Soho Theatre As the autumnal gloom envelops tube strike-ridden London, it is an absolute delight to escape into the garish world of Lorna Rose Treen’s Blue Tit Diner. The upbeat soundtrack as the audience gathers sets […]
Simon Ward reviews Tango in Silk at the Etcetera Theatre The first thing to note about Xi Liu’s Tango in Silk dance piece is that it is very short, perhaps ten minutes long. It is perhaps best understood as a showcase for what Liu (along with partner Mingcong […]
Simon Ward reviews TWO at the Greenwich Theatre For this revival of Jim Cartwright’s 1989 play, the Greenwich Theatre has been transformed into a pub of that era, The Clock and Compass, with nostalgic soundtrack to match. This doubles as the theatre’s own bar before the show and […]
Simon Ward reviews Improv The Dead at The Bridewell Theatre One of the joys of a Fringe festival is, of course, to move out of one’s comfort zone and try out something a bit different. I confess that the danger element of improvisational theatre has often left me […]
Simon Ward reviews Fickle Eulogy at the Hope Theatre, 207 Upper Street, London N1 1RL Debuting at the Edinburgh Fringe last year, Nikol Kollars’s devastating solo show, directed by Javier Galitó-Cava, is now running at The Hope under the aegis of the Camden Fringe. It is clearly a […]
Simon Ward reviews Don’t Shoot The Messenger at the Lion and Unicorn Theatre Co-writers Daniel Camou and Sam Plumbe have billed their new Camden Fringe show as ‘an office comedy of Shakespearean proportions’. For me, this works as the former, but the Shakespeare factor is rather limited. As […]
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