In this distilled version of the 2014 Royal Court production, Tim Crouch explores our relationship with art and our sense of reality and what is ‘real’. During the course of the production the fictional artist, Janet Adler, is woven into academia, exploited by the film industry and commodified […]
There’s warm lighting, bare brick, dusty air, and it’s been a scorching day in London. Stepping into ‘Children of Eden’ didn’t feel very far from the deserts of the Biblical Middle East at all. The design of the show (by Kingsley Hall) is pleasingly earthy and bare; the […]
Shakespeare ReFASHIONed is a series of events at Selfridges which mark the 400th anniversary of The Bard’s death, with the focal point being a performance of Much Ado. The collaboration is an intriguing idea, in many ways Selfridges – frequent winner of the accolade ‘The Best Department Store […]
Rupert Brooke is best known for his WW1 poetry and his handsome good looks, but is otherwise a lesser known figure in the Bloomsbury circle of intellectuals and artists. Verge of Strife tries to present a true portrait of the man who, in his own time, was regarded as […]
In the anniversary year of the Easter Rising it is easy to see why the National thought that this was the way to go. A play by one of Ireland’s genius writers, written to reflect turbulent times of war, focusing on the working people. On paper, it looks […]
Alex Kealy’s style of comedy much resembles a sixth former giving an awkward PowerPoint presentation. The content of his show wouldn’t be out of place in an A Level economics/politics classroom either: Gove, Boris and Corbyn all get a bashing; the disadvantages of a free market economy are […]
After another reviewer at The Peg saw the previous instalment of Beach Comet’s irreverent B-musicals, Vampire Hospital Waiting Room, I was intrigued to see if their new offering would garner such a love-hate response. Apocalypse Cruise Ship Love Affair is as ridiculous as its title suggests. Set on […]
Draw on your memories of the very worst nights out as a late teen/early twenty-something. Exactly. You’d rather not remember. Screwed gives centre stage- or centre space on the sticky dance floor- to Charlene and Luce, two friends who have dedicated the majority of their lives to drinking, […]
Far removed from the school hours spent uncomprehendingly tripping through Hamlet’s soliloquy a line at a time, Howard Barker’s Gertrude – The Cry is abundant in sexual manipulation, self-destructive obsession and finally a female perspective on what is arguable Shakespeare’s most famous play. Perhaps Mr Eaton would have […]
With immersive theatre growing in popularity, it comes as no surprise that companies such as CoLab, are trying to get audience members more involved. CROOKS tackles this with a focus on audience participation – putting groups of ten people at the centre of its narrative action, actively providing […]
Explore All Our Reviews
THE PEG 