Paul Caira reviews Expensive Shit at Soho Theatre This is an inventive piece of theatre whose boundaries are indistinct, unlike those of the cell-like cube in which the action takes place. The steel verticals which frame the imaginary mirrors on the walls of the toilets in which the […]
Charlotte Pegram reviews The Eisteddfod at The Etcetera Theatre, Camden This play by Australian playwright, Lally Katz, is part of a double bill of plays directed by Liz Arday. The other play, Dario Fo’s A Woman Alone, complements the first and offers the viewer an evening of absurdism and surrealism. […]
Simon Ward reviews Posh at The Pleasance Theatre Posh is a polemic on the class system, which gained much of its original salience from playing while the election that brought the Bullingdon Club into office was going on. As the late, great Peter Cook opined, its success was […]
Maddy Price got talking to the French Acrobatic Group, Compagnie XY, about their new show, It’s Not Yet Midnight…, on now at The Roundhouse. It’s Not Yet Midnight at the Roundhouse is your first performance in London for 7 years. Welcome back! Are you excited to perform for […]
Abigail Bryant reviews Big Guns at the Yard Theatre Big Guns labels itself as a play about violence, but not in a conventional sense. This 70-minute production, written by Nina Segel and directed by Dan Hutton, explores violence in all of its vast and varied shapes, detailing how […]
Abigail Bryant reviews Kicked in the Shi*tter at the Hope Theatre, Islington Leon Fleming’s new and provocatively titled play Kicked in the Sh*tter (directed by Scott Le Crass) confronts the bleaker side of Britain’s class structure and welfare state, whilst simultaneously exploring the complexity of invisible illness. A […]
Amy and Tom Milne review Heads-Up at Battersea Arts Centre From Kieran Hurley’s first words, you can see why ‘Heads Up’ was 2016 Fringe First Award Winner with a sell-out run at the Edinburgh Festival Fringe. His natural talent for storytelling, impressive pace and seemingly-effortless range means that, […]
Maddy Price reviews Rosalind at The Place Originally commissioned by the British Council as part of the Shakespeare Lives programme of anniversary events, this thrilling performance feels anything but made to a brief. Choreographer James Cousins has taken Shakespeare’s comedy As You Like It, set it in Seoul […]
Simon Ward reviews The Significant Other Festival; Conditions at The Vaults This is a series of eleven short plays, ten minutes each, commissioned by The Pensive Federation and written over the course of 5 days around the theme of The Significant Other, however that might be interpreted, and loosely […]
Abigail Bryant reviews One Last Thing (for now) at the Old Red Lion Romantic love in a wartime setting is no new territory for the arts, with infinite pages of literature and poetry inspired by the extremities of the human condition in this context. Althea Theatre has created […]
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