The name really is in the title. A series of characters embarking on a host of sexual encounters, all of them looking for something meaningful in their connection with other men. Joe DiPietro’s play about the thrills of quick sex has immediate resonance in the age of Grindr, […]
Lynne Hague reviews Where Do Little Birds Go? Camilla Whitehill’s one act play builds a vivid picture of one teenage girl’s experience of life in the mid 60s. In a strong performance by Jessica Butcher we follow the story of 24-year-old Lucy Fuller, who recollects how she left […]
Maddy Price reviews Flexer & Sandiland’s Disappearing Acts at The Place The winning combination of choreographer Yeal Flexer and digital artist Nic Sandiland succeeds in this inventive and thoughtful new piece at The Place. Disappearing Acts is a blend of contemporary dance, digital installation and spoken word that considers […]
Accidental Collective are an interdisciplinary performance company based in Kent. We spoke to them about their new show, Here’s Hoping; an intimate collage of hopeful stories for these dark times, from Leningrad in 1942 to current day Aleppo, from Obama to Enya. What inspired you to create Here’s Hoping? We […]
Sunday morning, 11am. What to do? Too early to communicate with other people? Not late enough to watch the latest epic from the London Film Festival? How about a compromise: short films from Cinema Hades. Get serious kudos in being part of The London Film Club which is […]
Harriet Bignell reviews Appetite as part of the Tellit Festival. Holli Dillon’s Appetite is a funny and touching piece with a slightly unsettling undertone. My initial impression was, were it not for the program synopsis, I would have had little idea that this is a one women play […]
Harriet Bignell reviews The Marked at Oval House In an insightful and conscience pricking performance, Theatre Temoin provide a chilling glimpse into the life of homeless Jack, on the streets of London. In an eerie opening, the characters perform a sequence of movements which move Jack from sinister […]
Harriet Bignell reviews Code 2021 by Autumn Secret Theatre Project Never before have I exited a theatre uttering the expression, “wow, that was powerfully awful.” However, there seems no more fitting analysis of the 3 hours (yes, 3 hours) I sat through at Secret Studio Lab’s Code 2021. The play […]
Charlotte Pegram reviews Skin A Cat at The Bunker A fabulous way to launch the inaugural season at The Bunker, Skin A Cat by Isley Lynn fits the underground space hand in glove. A double bed sits centre stage with very little else to distract from this intimate story […]
Theatre Témoin are lauded for their vibrant productions and The PEG spoke with the equally vibrant artistic director of the company, Ailin Conant, about their current show, The Marked. Using their trademark multi-disciplinary style, The Marked employs a combination of puppetry, mask and physical theatre to tell the […]
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