Simon Ward reviews Grave Mistake at the Hope Theatre Matthew Ballantyne and Toby Hampton’s new play is a Joe Orton-esque farce set in a funeral home. Burke and Sons has been a family business for generations and is now in the hands of sisters Regina (Gabrielle Nellis-Pain) and […]
Simon Ward reviews Pavement Sharks at the Canal Cafe Theatre For anyone unfamiliar with the venue, it nestles above a rather good pub called the Bridge House in Little Venice, a very pleasant stroll along the canal from what I still think of as the newly refurbished Paddington […]
Simon Ward reviews Overshare at the Greenwich Theatre At one point during this hectic cavalcade of a show, creator-writer-performer-producer Eleanor Hill pauses for a beat to wonder whether her last remark was a bit of an overshare. The joke is, of course, that the whole thing is one […]
Simon Ward reviews Bubble Schmeisis at the Soho Theatre Nick Cassenbaum describes his work as ‘simultaneously unforgivingly Jewish and undeniably British’. As if to underline the point, the programme for this show includes a glossary of both Yiddish and East London slang. Admittedly the Yiddish list is significantly […]
Simon Ward reviews Dead Mom Play at the Union Theatre I have yet to decide how I feel about on the use of trigger warnings. There are the well-worn arguments about the lengthy list pretty much any Shakespeare would require. Furthermore, in my experience, the warnings tend to […]
Simon Ward reviews Summoning Sondheim at The Glitch Theatre This is a new venue for me. It is a tiny cafe-bar and I am sure that we were not the only patrons to have to ask the friendly staff whether this was the right place. The performance space […]
Simon Ward reviews Moderation at the Hope Theatre Making its UK premiere at the Hope, Kevin Kautzman’s searingly topical new play, Moderation is the darkest of dark comedies. It is unmistakably an American work, but its themes resonate across the world, just as the actions of the techbro […]
Simon Ward reviews Mixed Sex at the Lion and Unicorn Theatre Writer Samuel Normington (who also co-directs and stars as Sam) recounts how this, his first full-length play, began in lockdown as he jotted down some anecdotes from his childhood. It then became a monologue before being fleshed […]
Simon Ward reviews James Rowland Dies At The End Of The Show at Camden People’s Theatre Although this is the third part of James Rowland’s Songs of the Heart Trilogy, there is no requirement to have seen the previous parts to make sense of this charming, witty and […]
Simon Ward reviews Glamrou: Drag Mother at the Soho Theatre Drag queen Glamrou is the alter ego of Amrou Al-Kadhi, a British-Iraqi writer, filmmaker and performer. This could be called a loosely autobiographical show – you can’t necessarily believe everything they say, but some of the most outrageously […]
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