Simon Ward reviews Fragments at the Etcetera Theatre In this astonishing piece Nigerian writer and performer Pearl Ada pulls no punches as she tackles the intersecting issues of colonialism and its legacy, racism, and patriarchy. Put like that, it sounds like a grim hour, whereas it is anything […]
Simon Ward reviews Distant Memories Of The Near Future at the Arcola Theatre Written and performed by David Head, Distant Memories of the Near Future comes to the Arcola to makes its London premiere following success at the Edinburgh Fringe in 2023. Any idea that this may be a […]
Simon Ward reviews Foreverland at the Southwark Playhouse Emma Hemingford’s stunning new play, Foreverland, is a fascinating deep dive into the possibilities that may open up in the near future as biotechnology evolves and genetic re-engineering offers the chance for some people to ‘live forever’. We follow the […]
Simon Ward reviews My English Persian Kitchen at the Soho Theatre Upstairs Based on a story by Iranian food-writer Atoosa Sepehr, and adapted as a play by Hannah Khalil, this extraordinary show manages to be at once a feast for all the senses, a nail-biting thriller, a heartbreaking […]
Simon Ward reviews Prototype at the Old Red Lion Theatre Directed by Olivia Gibbs-Fairley, written and performed by Steph Darcey, and presented as part of the Camden Fringe, Prototype is a show that deserves a wide audience. It is a savage satire – it is packed full of […]
Simon Ward reviews Frankie Goes To Bollywood at the Queen Elizabeth Hall My first exposure to Bollywood was in the late 1980s as I tried to block out the garish colours and blaring noise from the TV sets supposedly designed to while away the boredom of a long […]
Simon Ward reviews So Help Me Dog at the Hen and Chickens Theatre It can be excruciating being in the audience at a fringe theatre show, typically in a small room above a pub. If a show is not going well, or simply needs a bigger audience to […]
Simon Ward reviews Cold, Dark Matters at the Hope Theatre Writer-performer Jack Brownridge Kelly’s one man show is endearingly low tech. Aside from an exploded shed (due acknowledgment paid to artist Cornelia Parker on the blackboard outside) and a chair, there is no set. More than once I […]
Simon Ward reviews £1 Thursdays at the Finborough Theatre A word about the venue. The Peg spends much of its time celebrating the glory that is London’s thriving fringe theatre scene, much of which revolves around tiny stages in rooms above pubs. The symbiotic relationship between drinking and […]
Simon Ward reviews Oils at RADA Studios Oils by Jessica Rachid, which ran for two nights at RADA Studios as part of the Bloomsbury Festival, deals with the theme of domestic violence and abuse. Based on her own mother’s experience of horrendous abuse while she was pregnant, it […]
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