Abigail Bryant reviews Tamar Broadbent: Get Ugly Although musical comedy might not be everybody’s cup of tea, Tamar Broadbent’s Get Ugly is fantastically awkward and charming enough to make even the hardest of hearts smile, even if just momentarily. A mix of stand up and singing, this show delivers […]
Abigail Bryant reviews FAG/STAG at Underbelly, Edinburgh Re-defining masculinity and the notion of the ‘modern man’ has been in public discussion for some time, but rarely does the platonic relationship between gay and straight men get explored and represented in the arts. FAG/STAG provides a refreshing take on […]
Charlotte Pegram reviews Lands at Summerhall, Edinburgh Lands is sparse, both in terms of language and set. Featuring only a trampoline and a 1000 piece jigsaw puzzle, it tackles issues of dependency and isolation in an absurdist form. You have to get used to the sounds of springs crunching up […]
Maddy Price reviews Wayne McGregor’s +/- Human at the Roundhouse Arriving for Royal Ballet choreographer Wayne McGregor’s new contemporary piece, +/- Human, you couldn’t feel further away from the Royal Opera House. The huge space of Camden’s Roundhouse has been emptied of both stage and seats, and is […]
Harry Henderson reviews Peter and the Wolf at Assembly, Edinburgh Peter is visiting his Granddad who lives in the woods and, whereas Granddad fears all the animals that lurk behind the trees, Peter is eager to explore all that nature holds. Goblin Theatre have taken the essence of […]
Harry Henderson reviews A Strange New Space at Summerhall, Edinburgh This simple children’s show touches on complex issues of home, separation and the refugee crisis. Using a cardboard box and the few items inside a rucksack, Tessa Bide tells the story of Amira – a young girl who […]
Abigail Bryant reviews The Nature of Forgetting at the Pleasance, Edinburgh Memory is a delicate yet fundamental aspect of human nature that informs how we link the past with the present, and more importantly how we shape the future. In The Nature of Forgetting, Theatre Re explores the fragility of […]
Charlotte Pegram reviews Replay at the Pleasance, Edinburgh We meet ‘W’ just after she’s been hit with a bad case of food poisoning. She’s a policewoman and the sickness overwhelms her while she’s mid-shift. It’s unfortunate that she’s been struck down with illness just now as she’s about […]
Charlotte Pegram reviews Joseph Morpurgo at the Pleasance, Edinburgh I have only ever seen Morpurgo in Austentatious– the improvised Jane Austen play, in which you can visibly see the pleasure he takes in throwing himself into the great unknown of improvisation. It is surprising, then, that his solo […]
Oli Hague reviews Richard Herring at the Pleasance, Edinburgh Although arguably not quite as cerebral as many of his previous 12 one-man fringe shows, Herring demonstrates why he has had such consistent success over the last 30 years at the festival with an affable performance on the virtues […]
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