Oli Hague reviews Richard Herring at the Pleasance, Edinburgh Although arguably not quite as cerebral as many of his previous 12 one-man fringe shows, Herring demonstrates why he has had such consistent success over the last 30 years at the festival with an affable performance on the virtues […]
Charlotte Pegram reviews Sam Simmons at Assembly, Edinburgh Winner of the 2015 Edinburgh Fosters Comedy Award, Sam Simmons has had his talents praised to the extent that last year’s critics told him he could read out the phone book and he would still be funny. Simmons took them […]
Charlotte Pegram reviews Lemons Lemons Lemons Lemons Lemons at Summerhall, Edinburgh We’re often told that we take our freedom of speech for granted, but Sam Steiner takes this idea to an extreme in his debut play Lemons. Set in a parallel world to our own, we see a […]
Charlotte Pegram reviews Secret Life of Humans at Pleasance, Edinburgh It is sometimes hard to adapt a book for the stage; taking the long descriptions of a character’s interior and presenting that visually is a challenge but it can be done – just think of how Simon Stephens […]
Abigail Bryant reviews Landmines at OvalHouse In today’s political climate, it is difficult to view a play such as Landmines completely objectively, and Phil Davies’ new play provokes and stimulates ideas and emotions that are the forefront of both the media and personal mind-sets. The BRIT Theatre Company […]
Sam Lewes reviews Bullshit London (Factually Incorrect Walking Tours) If you’ve spent any time in central London, specifically Westminster and the Southbank over the past few years, you’ll no doubt have had the irritable task of trudging past a tour group, wishing that they would get out of […]
Charlotte Pegram reviews Bridle at Camden People’s Theatre Three women roam the stage wearing large silicone horse heads. You might be forgiven for thinking you’ve walked into an art installation but this is a distinctly straight-talking play. And, when the horse heads come off, Bridle becomes an explosive […]
Simon Ward reviews The Plague at The Arcola Theatre Albert Camus’s 1947 novel ‘La Peste’ uses the symbol of the plague to discuss France’s wartime occupation and her colonial relationships in Algeria and elsewhere. A nation may be infected for a time, then recover; but, as we learn, the […]
Paul Caira reviews Expensive Shit at Soho Theatre This is an inventive piece of theatre whose boundaries are indistinct, unlike those of the cell-like cube in which the action takes place. The steel verticals which frame the imaginary mirrors on the walls of the toilets in which the […]
Simon Ward reviews Posh at The Pleasance Theatre Posh is a polemic on the class system, which gained much of its original salience from playing while the election that brought the Bullingdon Club into office was going on. As the late, great Peter Cook opined, its success was […]
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