Abigail Bryant reviews Tamar Broadbent: Get Ugly Although musical comedy might not be everybody’s cup of tea, Tamar Broadbent’s Get Ugly is fantastically awkward and charming enough to make even the hardest of hearts smile, even if just momentarily. A mix of stand up and singing, this show delivers […]
Charlotte Pegram reviews Lands at Summerhall, Edinburgh Lands is sparse, both in terms of language and set. Featuring only a trampoline and a 1000 piece jigsaw puzzle, it tackles issues of dependency and isolation in an absurdist form. You have to get used to the sounds of springs crunching up […]
Harry Henderson reviews A Strange New Space at Summerhall, Edinburgh This simple children’s show touches on complex issues of home, separation and the refugee crisis. Using a cardboard box and the few items inside a rucksack, Tessa Bide tells the story of Amira – a young girl who […]
Oli Hague reviews Richard Herring at the Pleasance, Edinburgh Although arguably not quite as cerebral as many of his previous 12 one-man fringe shows, Herring demonstrates why he has had such consistent success over the last 30 years at the festival with an affable performance on the virtues […]
Charlotte Pegram reviews Sam Simmons at Assembly, Edinburgh Winner of the 2015 Edinburgh Fosters Comedy Award, Sam Simmons has had his talents praised to the extent that last year’s critics told him he could read out the phone book and he would still be funny. Simmons took them […]
Charlotte Pegram reviews Lemons Lemons Lemons Lemons Lemons at Summerhall, Edinburgh We’re often told that we take our freedom of speech for granted, but Sam Steiner takes this idea to an extreme in his debut play Lemons. Set in a parallel world to our own, we see a […]
Charlotte Pegram reviews Secret Life of Humans at Pleasance, Edinburgh It is sometimes hard to adapt a book for the stage; taking the long descriptions of a character’s interior and presenting that visually is a challenge but it can be done – just think of how Simon Stephens […]
Abigail Bryant reviews Landmines at OvalHouse In today’s political climate, it is difficult to view a play such as Landmines completely objectively, and Phil Davies’ new play provokes and stimulates ideas and emotions that are the forefront of both the media and personal mind-sets. The BRIT Theatre Company […]
Sam Lewes reviews Bullshit London (Factually Incorrect Walking Tours) If you’ve spent any time in central London, specifically Westminster and the Southbank over the past few years, you’ll no doubt have had the irritable task of trudging past a tour group, wishing that they would get out of […]
Charlotte Pegram reviews Bridle at Camden People’s Theatre Three women roam the stage wearing large silicone horse heads. You might be forgiven for thinking you’ve walked into an art installation but this is a distinctly straight-talking play. And, when the horse heads come off, Bridle becomes an explosive […]
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