Emily Pritchard reviews Harpy at the Edinburgh Fringe In this one-woman show, the audience warm immediately to Birdie (Su Pollard), an energetic, playful old woman, living alone. However, Birdie is a hoarder, and the sense of extremity attached to this permeates the whole play, eventually escalating into […]
Emily Pritchard reviews Rob Auton’s The Talk Show at the Edinburgh Fringe Rob Auton is a pleasure to watch and listen to, though his show can prove hard to summarise. It feels like a new kind of poetry, making you rethink any ideas about what poetry can be: […]
Jasper Cunningham-Ward reviews What Makes You a Woman at Edinburgh Fringe. “What makes you a woman?” the performers ask. Luckily, as I am in fact male, they gave their own answers. This production gives a whirlwind tour of the position of women in society, starting with the suffragettes […]
Simon Ward reviews Fat Jewels at The Hope Theatre Sometimes life and art can get altogether too close for comfort. A play set in a stiflingly hot and claustrophobic room was played in stiflingly hot and claustrophobic room. If the weather forecast is to be believed, this will […]
Abigail Bryant reviews Adam & Eve at The Hope Theatre, Islington In today’s political and media climate, the very definition of ‘truth’ is as ambiguous as it is dangerous. Taking a step back from Trump and Hollywood, Adam & Eve confronts a post-truth era against the landscape of […]
Simon Ward reviews The Elixir of Love at The King’s Head Theatre Just as the weather is turning autumnal and the nights are drawing in, ‘The Elixir of Love’ arrives to provide a blast of much-needed Barry Island sunshine and joie de vivre. Gaetano Donizetti’s classic comic opera has […]
Abigail Bryant reviews The Buzz at The Bread & Roses Theatre Kyla and Josh have just got home from an industry awards event, and are obsessing over the red carpet photos on social media. Surrounded by sterile yet lavish aesthetics, their luxury penthouse serves as the setting for […]
Abigail Bryant interviews writer Laura McGrady Firstly, congratulations on the world premiere of Baby Box, running as part of King’s Head Theatre’s ‘Who Runs The World?’ feminist season this May. How are you feeling about its showcase? Thank you! I can’t wait to finally share this story with […]
Abigail Bryant reviews Shanter at Old Red Lion Theatre The transition from teenager to adult is a notoriously colourful and precarious time, and the age of social media brings with it a new layer of complexity and identity politics. Shanter explores ‘lad culture’ against the backdrop of a […]
Abigail Bryant reviews The Audit (Or Iceland, A Modern Myth) at artsdepot The Audit is Proto-type Theatre’s second theatrical work examining contemporary politics, and this time they focus on how the nation of Iceland raised it’s voice in opposition to the human cost of greed. With passion and vigour, Rachel Baynton and Gillian […]
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