Abigail Bryant reviews Odd Man Out at The Hope Theatre Odd Man Out comprises of two stories, each performed individually, and each exploring one man’s venture into a society which doesn’t deem him in line with what is culturally normal. Although the two tales hold no relation to […]
Paul Caira reviews I Loved Lucy at London Arts Theatre ‘Ah, who the hell remembers anyway?’ says Lucille Ball at one point early in this play. I must admit the same thought had already been occurring to me. Frankly, I’m not in the first flush of youth, and […]
Charlotte Pegram reviews Disco Pigs at Trafalgar Studios Enda Walsh shot to fame in 1996 with this In Yer Face play about two teens ripping up the rule book in Ireland. Pig and Runt have an unusual relationship; born within moments of one another they grow up together […]
Charlotte Pegram reviews Extravaganza Macabre at the Battersea Arts Centre London 1886. It’s the year of the Great Flood. We see a tiny baby washed ashore and a lover swept out to sea on the day of his wedding. We travel forward and backwards in time, moving between […]
Simon Ward reviews The Passion of the Playboy Riots at the Hen & Chickens Passion; playboy; riots. Probably best to put all these out of your mind. This is a cerebral meditation on many themes, perhaps more than can be accommodated in its scant 50 minute duration. A three-hander […]
Abigail Bryant reviews AI Love You at Theatre N16 In Theatre N16, above the balmy jostle of The Bedford, profound decisions are being made. Adam and April introduce themselves, a young couple living in Putney, regular jobs, regular interests, and an endearing coyness when faced with the gazing […]
Abigail Bryant reviews Landmines at OvalHouse In today’s political climate, it is difficult to view a play such as Landmines completely objectively, and Phil Davies’ new play provokes and stimulates ideas and emotions that are the forefront of both the media and personal mind-sets. The BRIT Theatre Company […]
Charles Blake reviews Kiss Me at Trafalgar Studios After his international hit One Man Two Guvnors, this perhaps isn’t the play one would expect from writer Richard Bean. Set in 1920s London, Kiss Me may be amusing, but it is certainly not a comedy. Rather, it is intimate […]
Toby Moran Mylett reviews The Pseudo Project The Young Pretenders Theatre Company performed ‘The Pseudo Project’ at the Radiant Gallery, Plymouth, 26th& 27th May 2017. TYP’s ‘The Pseudo Project’ feels decidedly Orwellian: an impressively devised piece telling the story of a dystopian future in which humans are forced to […]
Simon Ward reviews Combustion at the Arcola Theatre If presented with the premise of a four-hander play set in a Bradford garage, one might demur. Adding in an English Defence League thug would scarcely make it seem more palatable. Yet Combustion explodes such expectations. It is a triumph: […]
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