Simon Ward reviews Dead Dad Dog at the Finborough Theatre This is the first major revival of a play that first ran in 1988, to much critical acclaim, first in the Traverse in Edinburgh followed by the Royal Court in London. It is therefore something of a period […]
Simon Ward reviews String V SPITTA at the Soho Theatre Written and performed by Ed MacArthur (String) and Kiell Smith-Bynoe (SPITTA) and with George Chilcott’s direction keeping the mayhem just this side of chaos, this new musical comedy is an utter delight from start to finish. Normally the […]
Simon Ward reviews It’s a Motherf**king Pleasure at Soho Theatre Following a brief run as part of The Vaults Festival in February, this show comes to the Soho Theatre as a slick, well-worked production. Flawbored are a disability-led company, made up of the night’s performers, Samuel Brewer, Aarian Mehrabani […]
Simon Ward reviews Average Bear at the Soho Theatre Michelle Brasier’s Average Bear is billed as comedy, and it is frequently laugh-out-loud hilarious, but it is also thought-provoking and devastatingly emotional. Delivered as a mixture of stand-up, songs and ‘bear-lesque’, the audience never quite knows where Brasier’s irresistible banter […]
Simon Ward reviews Let’s Pause There at The King’s Head Theatre This debut play by comedy writers Russell Obeney and Andre Guindisson crams a lot, perhaps a little too much, into its running time of about an hour. In keeping with its therapy-based theme, we are required to […]
Simon Ward reviews Jo and Sam Find Themselves In Woking at The Hen and Chickens Theatre A bare stage, save for a couple of chairs and a projector screen. Suddenly the screen lights up, Edmund Jolliffe’s music kicks in and we are taken through a rather good whistle […]
Simon Ward reviews Alarms and Excursions at Greenwich Theatre During rehearsals for this production of Michael Frayn’s collection of short plays and sketches, the playwright apparently wrote to the director to query whether the various technological devices which conspire to confound and torment his characters were now too […]
Harry Bignell reviews The Cult of Kenzo at Camden People’s Theatre.
Emily Pritchard reviews Jacob Hawley’s Howl at the Edinburgh Fringe At the Edinburgh Fringe, which can often seem a middle class bubble, Jacob Hawley’s exploration of the complexities of being working class is a much-needed addition to the comedy line up. He finds humour here without “punching down” […]
Anna Hadley reviews Reginald D Hunter:An American Facing the Beast and N****s at the Edinburgh Fringe Twenty years later, and Reginald D. Hunter is now an old hand at the Fringe. Although some of the jokes seem a little tired, for the most part he’s still got it. […]
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